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The Right Decisions
With the end of the First World War, he had to decide, as Hevesy Iván put it: “Janovics has decided that he will give up the film, rather than the theater, probably in the hope that he will be able to revive the film production at some point. Transylvania. ”During this period, the theater director re-profiled his business from production to film rental, and the proceeds used them, according to sources, to support the theater. From the book written by Jordáky Lajos on film production in Transylvania, it appears that the Transsylvania Film Factory made its last two artistic films in 1920: the film Two Orphans (Két árva) was directed by Janovics based on an Incze Sándor script and From the horrors of the world (Világrém), which was commissioned as medical propaganda, with state funding. (1980. 112). The film Vista in Cluj-Kolozsvár (Cluj-Kolozsvár látképe) presented in 1921 was in the genre of a documentary film, which, based on Jordáky’s research, was only one of the 18 documentaries made by him between 1918 – 1930 (idem 115). From the findings made by Zágoni Bálint, it also emerged that in the mid-1930s, with his retirement from the theater, Janovics returned to film.
Chances of a Transylvanian film producer after 1920
The copies of the films that were lost in the meantime we’re not yet considered “archive” films or museum pieces, nor was the preservation of the relics of film history a priority for the horticultural film industry. At the same time, the transition to the sound film also affected the status of silent films, which were harder to design because of their format, which at the time seemed less appealing to the audience. This change of status has, in turn, led to divergences regarding the right to screen literary works, which is also found in correspondence.
From the correspondence with Incze Sándor, editor-in-chief of Színházi Élet magazine, we learn that the rights acquired for the screening of silent films have lost their validity in the era of sound films, so the rights acquired by the Transsylvania film factory could not be taken advantage of, and although they exist a real interest in the screening of the work The Teacher (Tanítón În) by Bródy Sándor and the comedy Girls Gyurkovics (Gyurkovics-lányok) by Herczeg Ferenc, they could not take advantage of it. With the emigration of Incze Sándor to America, Janovics gave him the right to screen for 5 works, in the hope that he would be able to sell them. We have no data on their realization.
However, he manages to commercialize the screening right of the work Calling (Tetemrehívás) by Arany János, through Magyar Filmiroda (MFI), wanting to screen and operate the bathing of the horses (Lófürösztés) by Tompa László, together with the poems of Ady, 19, it appears that the MFI is moving away from these plans.